Insatiable Salivation was the first play that Mike and Ken wrote
together. Most of the writing took place at Mike's home in the woods of Soquel,
California. The date and time of the performance had been scheduled before
the writing of this play. Though they had confidence, certain stresses started
arising when 3 weeks before opening night, they still had not begun writing.
Finally, with eighteen days to go, in a haze of marijuana,
vitamin C, coffee and other MINDBENDING substances, they wrote Insatiable
Salivation in one 4 or 5 hour spurt in the middle of the night. This would
set the tone for the first 4 productions. One night of writing, no editing,
crash and burn style production, and handdrawn flyers (Ken, Amy, and Mike each made one
for this first performance. They appear later on this page.)
For all the amateurish aspects of their troupe, they generally managed to
put on a show that was at least extremely entertaining and thought provoking,
after all, at this stage they were amateurs.
Insatiable Salivation is the story of one Satan's confession
with one Priest. It is the story of religion. Of belief and of disbelief.
A story of power and lust and greed. In Insatiable Salivation, a Priest's
earthly desires become entangled with his spiritual existence and Satan is
the only supernatural being who can provide a way out. On the flipside, it
is only the Priest whose overall desire for good and incomprehension for guiltfree
evil can set Satan free. It is a mutually doomed relationship and deception
and murder are the portals to a new reality for the pair.
Insatiable Salivation was performed in June of 1993 at the Retro
Cafe in Santa Cruz, California. Truly the manager of the Retro and the owner
were responsible for providing the impetus for Pea QQQ'bd to get off the ground.
They were offered the space to do a play after they had done a reading from
their literary production, McZeen. Thrilled to be invited to perform further
their, they set a date and performed IS and Harriet And Zon Read Apocalyptic
Mannerisms With An Interlude With Billy, on the same night that another art
ensemble, The Interactionists, were performing two doors down at The Abattoir.
The two groups timed their performances around each other and were able to
mostly share crowds.
One goal P3 had was to tear down the fourth wall. To bring the audience beyond the audience level and let them in on the secret. Multiple times in the play, the masks of character were brought down and unexpected ,outside of plot, events took place. Pushing the envelope was important to this theatre group. As they would continue to do more and more in the coming productions.